Here are links to all the Bonus Sources referenced in Creating the Interactive Digital Narrative.

TeliportMe Blog (2024), “How to Make a 360 ° Image: A Comprehensive Guide”, TeliportMe Blog, 29 January. Available online here (accessed 17 August 2024).

Thinglink (2023), “The Best Methods to Create Your Own 360° Content”, Thinglink Blog, 9 August. Available online here (accessed 14 August 2024).

Analog Games (2024), Analog Games: World of non-digital games. Available online here (accessed 14 August 2024).

Pulsipher, L. (2011), Boardgamegeek, ““Analog” versus “Digital” in Games.” Available online here (accessed 16 August 2024).

Trammel, A. (2019), “Analog Games and the Digital Economy”, Analog Game Studies. Available online here (accessed 17 August 2024).

Animaker (2024). Available online here (accessed 19 August 2024).

 

Gibson, C. (2024) “The Future of Interactive Content: AI-Driven Innovations”, Medium. 3 April. Available online here (accessed 19 August 2024).

Malinverno, M. (2022). “What is Binaural Audio? How Binaural Recording Works”, Splice Blog, 28 June. Available here (accessed 19 August 2024).

Gyori, B. (2022b). “Mr Illusion Taster Trailer”, YouTube, 15 August. Available online here (accessed 19 August 2024).

Gyori, B. (2023). “Mr Illusion,” Soundcloud, 7 August. Available online here (accessed 19 August 2024).

Ediiie (2024), “Storytelling with AR: How Augmented Reality is Revolutionizing Storytelling”, Ediiie.com. Available online here (accessed 14 August 2024).

FasterCapital (2024b), “Immersive Storytelling Through Augmented Reality”, FasterCapital. Available online here (accessed 14 August 2024).

Tomi, A.B. and Rambli, D.R.A. (2013), “An Interactive Mobile Augmented Reality Magical Playbook: Learning Number with the Thirsty Crow”, Procedia Computer Science, 25 :123-130. Available online here (accessed 17 August 2024).

Harpy (2023), “The Ever-Unfolding Plot: How AI and Biometrics Could Allow Stories to Adapt to Each Reader’s Experience”, Kadaxis, 27 December. Available online here (accessed 19 August 2024).

11+ Production Budget Templates (2014), Template.net. Available online here (accessed 14 August 2024).

A Guide to Media Production Costs and Budgets (2024), Flywheel Film. Available online here (accessed 17 August 2024).

Budgeting for Digital Media (2024), Vervaunt. Available online here (accessed 16 August 2024).

What are the most effective ways to manage media project budgets? (2024), Linkedin. Available online here (accessed 14 August 2024).

Berkley, K. (2024), “Creating Interactive Fiction: Best Tools for Beginners”, Kim Berkley. Available online here (accessed 14 August 2024).

Dutton, L. (2017), “Creating a Choose Your Own Adventure Story in Google Forms”, YouTube. Available online here (accessed 14 August 2024).

Five College Digital Humanities (2016), “How to use Twine to make your own text adventure games!” YouTube, 30 June. Available online here (accessed 14 August 2024).

Hartnell, T. (1983), Creating Adventure Games on Your Computer. New York: Ballantine Books. Available online here (accessed 14 August 2024).

Parodi, T. (2015), “Choose Your Own Adventure Powerpoint”, YouTube. Available online here (accessed 14 August 2024).

Rossi, G.C. (2023), “Writing Tools for Interactive Fiction – an Updated List”, British Library: Digital Scholarship Blog, 2nd of August. Available online here (accessed 17 August 2024).

Tech with Tim (2023), “Tython AI Choose Your Own Adventure Game”, YouTube. Available online here (accessed 17 August 2024).

Zinnea (2022), “How to Make a Choose Your Own Adventure Game in Scratch”, YouTube. Available online here (accessed 17 August 2024).

Kerekes, C. (2021), “How to Animate a Cinemagraph in Photoshop”, YouTube. Available online here (accessed 19 August 2024).

Katz, S.D. (1991), Film Directing Shot by Shot: Visualizing from Concept to Screen, Waltham, MA: Focal Press. Available online here (accessed 19 August 2024).

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Studiobinder (2020), “The Ultimate Guide to Camera Shots (50+ Types of Shots and Angles in Films)”, Studiobinder, 13 September. Available online here (accessed 19 August 2024).

Wu, R. (2020), “A Beginners Guide to Shooting Coverage for a Film Project”, The Beat, 27 March. Available online here (accessed 19 August 2024).

How to Find and Use Media Assets (Legally) (2020). Berkeley: Advanced Media Institute. Available online here (accessed 19 August 2024).

What is Rights Clearance? (2024), IndieClear. Available online here (accessed 19 August 2024).

Capella, W. (2024), “Best Online Coding Bootcamps”, Computer Science. Available online here (accessed 17 August 2024).

Juviler, J. (2024), “How to Start Coding: The Ultimate Guide for Beginner Programmers”, Hubspot, 9 July. Available online here (accessed 14 August 2024).

Crowdfunder (2024), Available online here (accessed 19 August 2024).

Gofundme (2024). Available online here (accessed 19 August 2024).

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Kickstarter (2024), Available online here (accessed 19 August 2024).

Smith, T. (2024), “Crowdfunding: What It Is, How It Works, and Popular Websites”, Investopedia, 30 May. Available online here (accessed 19 August 2024).

Riserbato, R. (2020), “The Ultimate Guide to Crowdsourcing”, HubSpot, 22 April. Available online here (accessed 19 August 2024).

Das, T. (2024), “What is Bit Rot and How to Prevent it?” Geekflare, 2 January. Available online here

Christison, C. (2024), “Content Curation in 2024: Everything You Need to Know”, Hootsuite, 9 July. Available online here (accessed 22 August 2024).

Clark, L. (2019), “Collecting Interactive Fiction”, British Library: UK Web Archive Blog, 29 March. Available online here (accessed 22 August 2024).

Gyori, B. (2019b), Shelley’s Heart Desktop Version. Available online here (accessed 17 August 2024).

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Lambert, C. (2022), “Embeds, Links and Interactive Content Editorial Guidelines”, Google for Creators. Available online here (accessed 19 August 2024).

Porter, J. (2024), “How to Create Editorial Guidlines that are Actually Useful”, Optimizely, 13 March. Available online here (accessed 19 August 2024).

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Warner, N. (2022), “The Art of Make Believe: Emergent Narrative in Games”, Destructoid.com. Available online here (accessed 19 August 2024).

Billock, J. (2024), 25 April. “World-Competitive Escape Rooms Are Darker, Scarier, and More Scientific”, Atlas Obscura. Available online here (accessed 17 August 2024).

Escape Room Theory (2024), Quest Factor. Available online here (accessed 17 August 2024).

Skult, N. and Smed, J (2020), “Interactive Storytelling in Extended Reality: Concepts for the Design”, Game User Experience and Player-Cantered Design, 7 April. Available online here (accessed 14 August 2024).

Malik, F. (2024), “Difference Between Mixed Reality and Extended Reality,” Educative.io. Available online here (accessed 14 August 2024).

Easiest way to add a Social Feed to Your Site for Free, The (2024). Curator. Available online here (accessed 21 August 2024).

Rowley, R. (2023), “Two Years On: What Did We Really Lose When Flash Player Died?” Overclockers UK, 24 February. Available online here (accessed 22 August 2024).

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Blasbalg, C.L. (2024), “10 Best Forums for Online Communities (Free and Paid)”, WIXBlog, 3 March. Available online here (accessed 21 August 2024).

Lore, J. (n.d.), “How to Do a Facebook Giveaway: A Step-By-Step Guide”, Wishpond, Available online here (accessed 21 August 2024).

Palka, K. (2023), “Instagram Story Giveaway: How to Pick a Winner from Stories”, Easypromos, 11 May. Available online here (accessed 21 August 2024).

Sumon, S. (2024), “How to Do a Giveaway: 7 Tips to Go Viral in 2024”, Wedevs, 9 April. Available online here (accessed 21 August 2024).

Network, The (2024), “Holographic Entertainment: Step into the Future of Immersive Experiences”, The Nework, 18 January. Available online here (accessed 17 August 2024).

Perry. J. (2016). “Holographic Storytelling: The Stories of Holocaust Survivors are Brought to Life with the Help of Interactive 3D Technologies”, VML, 16 June. Available online here (accessed 19 August 2024).

Clifton, M. (2021), “Hypertext Fiction: The Literary Genre that was Theorized Before it was Written”, Berkeley Fiction Review, 2nd of August. Available online here (accessed 14 August 2024).

Rizer, A. (2021), “A Guide to Hypertext Literature”, Book Riot, the 15 November. Available online here (accessed 16 August 2024).

Cserti, R. (2024), “61 Ice Breaker Games [That Your Team Won’t Find Cheesy]”, SessionLab. Available online here (accessed 14 August 2024).

Gyori, B. and Charles, M. (2017), “Designing Journalists: Teaching Journalism Students to Think Like Web Designers”, Journalism and Mass Communication Educator, 73 (2). Available online here (accessed 14 August 2024).

I-docs (2024), I-docs.org. Available online here (accessed 17 August 2024).

Wagner, V. (n.d.), “Crafting Digression: Interactivity and Gamification in Creative Nonfiction,” Assay: A Journal of Nonfiction Studies. Available online here (accessed 19 August 2024).

Best iFrame Widgets, The (2024), Elfsight. Available online here (accessed 19 August 2024).

iFrame Generator (2024). Available online here (accessed 19 August 2024).

Juviler, J. (2022), “What is an IFrame? [+ How to Embed Content With Iframes]”, HubSpot, 17 June. Available online here (accessed 19 August 2024).

AI Writing (2023), “AI and Interactive Storytelling: Exploring the Possibilities of AI-Powered Narratives”, On-Page by Traffic Research, 9 June. Available online here (accessed 17 August 2024).

Storynest (2024), Storynest.ai. Available online here (accessed 16 August 2024).

Choose Your Own Adventure Book List (2024), Goodreads. Available online here (accessed 16 August 2024).

Chooseyourownstory.com (2024), Halogen Studios Entertainment. Available online here (accessed 16 August 2024).

Matt, L. (2021), “Video Games and Film: Understanding Interactive Cinema”, University Of Washington. Available online here (accessed 17 August 2024).

Walker, A. (2023), “Interactive cinema: how films could alter plotlines in real time by responding to viewers” emotions”, The Conversation, 20 March. Available online here (accessed 14 August 2024).

Accessible Interactive Fiction (2024). intfiction.org. Available online here (accessed 19 January 2025).

Crawford, C. (2006), “Dragon Speech “I Had a Dream”,” YouTube. Available online here (accessed 17 August 2024).

Failbetter Games (2024), Available online here (accessed 19 August 2024).

Making-Of Articles (n.d.), The Interactive Fiction Wiki. Available online here (accessed 14 August 2024).

Short, E. (2014), “Writing in Collaboration with the System”, Emily Short’s Interactive Storytelling. Available online here (accessed 17 August 2024).

Twine Cookbook (2021), “Welcome to the Twine Cookbook”, Twinery. Available online here (accessed 14 August 2024).

Emshort (2024), “IF Interfaces”, Pinterest. Available online here (accessed 16 August 2024).

Hardjono, H. (2022), “Simulating a Parser in Twine?” Intfiction.org: the Interactive Fiction Community Forum. Available online here (accessed 16 August 2024).

Locke (2018), “Parser Vs. Hyperlinks?” Intfiction.org: the Interactive Fiction Community Forum. Available online here (accessed 17 August 2024).

Mattchelen (2024), “Another Interactive Fiction Engine List”, Google Sheets. Available online here (accessed 17 August 2024).

Porpentine (2012a), “Creation Under Capitalism and the Twine Revolution”, Nightmare Mode, 25 November. Available online here (accessed 17 August 2024).

Reed, A. (2023), “50 Years of Text Games”, Substack, 21 October. available online here (accessed 17 August 2024).

Immersology: Structures and Theories of Immersive Theatre (2017), Strange Bird Immersive, 27 July. Available online here (accessed 17 August 2024).

Wellham, K. (2024), “Immersive and Interactive Theatre”, Immersive Experience Network. Available online here (accessed 16 August 2024).

Kardoyianni, S. (2024), “The Importance of Interactivity in Modern Digital Experiences”, Yodeck, 14 August. Available online here (accessed 30 August 2024).

Kumar, A. (2024), “The Future of Interaction Design”, Medium, 24 April. Available online here (accessed 17 August 2024).

Dean, B. (2024), “What are Backlinks?” Backlinko, 16 August. Available online here (accessed 19 August 2024).

MasterClass (2021) “Location Scouting Guide: How to Scout Locations for a Film”, MasterClass, 8 September. Available online here (accessed 19 August 2024).

Abba, T. (2017), May, “A Manifesto for Ambient Literature,” Ambient Literature. Available online here (accessed 17 August 2024).

Craven, E. (2022), “Locative Storytelling and Writing for Apps”, Story City, February 3rd. Available online here (accessed 17 August 2024).

Gottstein, J., Johnson, L., Macpherson, J., Morgan, R. and Peters, S. (2017), “The World as Your Canvas: Telling Location Based Stories”, Game Developers Conference, 15 December. Available online here (accessed 17 August 2024).

How to Put Your Location on Snapchat Story (2023), How to Wisdom, 2nd of December. Available online here (accessed 14 August 2024).

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Packer, H.S., Hargood, C., Howard, Y., and Papadopoulos, P. (2017), “Developing a Writer’s Toolkit for Interactive Locative Storytelling”, 10th International Conference on Interactive Digital Storytelling, November. Available online here (accessed 14 August 2024).

Brislin, S. (2013), “Balancing Narrative and Gameplay”, Game Developer. Available online here (accessed 14 August 2024).

Failbetter Games (2024), Available online here (accessed 19 August 2024).

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