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Introduction: Listening Nearby

1. Ear Training for Incarceration

2. Emotional Overdubbing

3. Bhaichara Radio

4. On Phil Collins’s (2020) Bring Down the Walls

5. A book group in prison

6. A Choir’s Journey

7. Mercy Sown, Mercy Reaped

8. Singing as Commoning

9. Clandestine Musical Practices in the Women’s Prisons of Early Francoism

10. The Art of Choosing / The Choosing of Art

11. Years in Segregation

12. From Shrapnel of Memory

13. Us, Interrupted

14. The Silence of the Mandela Rules

15. Mediterradio

16. My Story, Your Story

17. where are you today

18. PFFT Ensemble

19. Poetics of Music and Exile in Postliberation Eritrea

20. Listening After, Listening Otherwise

21. The Kids of Klinikstraße 6

22. Between Here and There

Welcome to the Companion Website for Sound and Detention: Towards Critical Listening, Sonic Citizenship and Social Justice by Lucy Cathcart Frödén, Kate Herrity and Áine Mangaoang.


Sound and Detention
uses close attention to soundscapes in places and processes of confinement as a source of sensemaking. Privileging the aurality of incarceration, the authors foreground critical listening as a mode through which to explore sonic citizenship and social justice. In doing so the volume evokes the auditory imagination to reconsider the shifting position of detention at a crucial point of intersection between social, political, economic and cultural life. Through its breadth of contributions, the book tunes in to some of the complex ways in which the presence and absence of sound and music can mediate isolation, harm, connection, restoration, power, control, and resistance.

Sound and Detention presents research, projects and reflections on carceral soundscapes in a variety of times and settings. Drawing from a range of practitioners, those with lived experience, artists, activists and academics we ask important questions about the role of sound and music in transformative justice and how attention to the sonic can form part of the work to imagine alternatives to the prison and immigration industrial complexes.
Through deep engagement with sound, music and listening, we seek to collectively unsettle western, androcentric epistemologies and knowledge hierarchies, specifically with respect to places of detention. Tuning in to the particularities of sound holds the capacity to listen nearby – making space to hold distinct perspectives and positionalities in respectful simultaneity - while also cementing connections to broader questions of social justice and solidarity.


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