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Chapter 5: Of Orange


[1]:  The Mad Hatter’s (Johnny Depp) hair in Alice Through the Looking Glass (Tim Burton, Warner Bros., 2016).  Cinematography by Stuart Dryburgh.  Makeup by Joel Harlow, Gloria Pasqua Casny, Ken Niederbaumer, Khanh Trance, and Victoria Warrington.  Digital frame enlargement.


[2]:  The orange faces of love in Aladdin (Ron Clements and John Musker, Walt Disney Pictures, 1992).  Art direction by Ralph Eggleston, Michael Peraza Jr., and Bill Perkins.  Digital frame enlargement.


[3]:  A cool cat in The Long Goodbye (Robert Altman, Lion’s Gate, 1973).  Cinematography by Vilmos Zsigmond.  Digital frame enlargement.


[4]:  Missionaries or pilgrims in Close Encounters of the Third Kind (Steven Spielberg, Julia Phillips and Michael Phillips Productions, 1977).  Cinematography by Vilmos Zsigmond.  Costumes by James Linn.  Digital frame enlargement.


[5]:  The Golden Gate Bridge at Fort Point in Vertigo (Alfred Hitchcock, Paramount, 1958).  Cinematography by Robert Burks.  Digital frame enlargement.


[6]:  Frenzied Marylee Hadley (Dorothy Malone) in Written on the Wind (Douglas Sirk, Universal International, 1956).  Cinematography by Russell Metty.  Costume by Bill Thomas.  Digital frame enlargement.  


[7]:  Oranges of attempted murder in The Godfather (Francis Ford Coppola, Paramount, 1972).  Cinematography by Gordon Willis.  Production design by Dean Tavoularis.  Digital frame enlargement.


[8]:  The orange furnace in The Jungle Book (Zoltan Korda, Alexander Korda Films, 1942).  Cinematography by Lee Garmes and W. Howard Greene.  Effects by Lawrence Butler.  Digital frame enlargement.