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Chapter 2: Of Pink

[1]:  Kirsten Dunst in Marie Antoinette (Sofia Coppola, Columbia, 2006).  Cinematography by Lance Acord.  Design by K. K. Barrett.  Costumes by Milena Canonero.  Digital frame enlargement.



[2]:  A nosegay in Vertigo (Alfred Hitchcock, Paramount, 1958).  Cinematography by Robert Burks.  Flowers by Podesta Baldocchi, San Francisco.  Digital frame enlargement.



[3]:  The Pink Panther (Blake Edwards, Mirisch, 1963).  Title animation by Warren Batchelder, Dale Case, Corny Cole, and George DeLado.  Digital frame enlargement.


[4]:  Lounge lizard (Jerry Lewis) in The Nutty Professor (Jerry Lewis, Paramount, 1963).  Cinematography by W. Wallace Kelley.  Art direction by Hal Pereira and Walter H. Tyler.  Costume by Sy Devore.  Digital frame enlargement.  


[5]:  Uncle Leo (Jerry Lewis) with his tailor (uncredited) in Arizona Dream (Emir Kusturica, Canal+, 1993).  Cinematography by Vilko Filac.  Costumes by Jill M. Ohanneson.  Digital frame enlargement.


[6]:  Hotel de la Gloria in The Passenger [Professione: Reporter] (Michelangelo Antonioni, MGM, 1975).  Cinematography by Luciano Tovoli.  Design by Piero Poletto.  Digital frame enlargement.  



[7]:  A Miami hotel in Written on the Wind (Douglas Sirk, Universal International, 1956).  Cinematography by Russell Metty.  Design by Robert Clatworthy and Alexander Golitzen.  Digital frame enlargement.  



[8]:  Edward Norton with the richest, creamiest fat in Fight Club (David Fincher, Fox 2000, 1999).  Cinematography by Jeff Cronenweth.  Digital frame enlargement.